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Wealthy, brilliant, and meticulous Ted Crawford, a structural engineer in Los Angeles, shoots his wife and entraps her lover. He signs a confession; at the arraignment, he asserts his rights to represent himself and asks the court to move immediately to trial. The prosecutor is Willy Beachum, a hotshot who’s soon to join a fancy civil-law firm, told by everyone it’s an open and shut case. Crawford sees Beachum’s weakness, the hairline fracture of his character: Willy’s a winner. The engineer sets in motion a clockwork crime with all the objects moving in predictable ways.

In 1660, with the return of Charles II to the English throne, theater, the visual arts, science and sexual intercourse flourish. Thirteen years later, in the middle of political and economical problems, Charles II asks the return of his friend John Wilmot, aka the second Earl of Rochester, from the exile to London. John is a morally corrupt, drunkard and sexually active cynical poet, and the King asks him to prepare a play for the French ambassador to make him pleased. John meets the aspirant actress Elizabeth Barry in the playhouse and decides to make her a great star. He falls in love for her, and she becomes his mistress; during the presentation to the Frenchman, he falls in disgrace in the court. When he was thirty-three years old, he was dying of syphilis associated to alcoholism and he converted to a religious man.

The story is based on Jane Austen’s novel about five sisters - Jane, Elizabeth, Mary, Kitty and Lydia Bennet - in Georgian England. Their lives are turned upside down when a wealthy young man (Mr. Bingley) and his best friend (Mr. Darcy) arrive in their neighborhood.